{"id":7325,"date":"2019-11-25T16:17:52","date_gmt":"2019-11-25T15:17:52","guid":{"rendered":"http:\/\/www.chateau-montsoreau.com\/wordpress\/?page_id=7325"},"modified":"2019-11-25T16:17:52","modified_gmt":"2019-11-25T15:17:52","slug":"%d8%a7%d9%84%d9%85%d8%ac%d9%85%d9%88%d8%b9%d8%a9","status":"publish","type":"page","link":"https:\/\/www.chateau-montsoreau.com\/wordpress\/ar\/100-%d9%aa-%d8%a7%d9%84%d9%82%d9%84%d8%b9%d8%a9-100-%d9%aa-%d8%a7%d9%84%d9%85%d8%b9%d8%a7%d8%b5%d8%b1%d8%a9\/%d8%a7%d9%84%d9%85%d8%ac%d9%85%d9%88%d8%b9%d8%a9\/","title":{"rendered":"\u0627\u0644\u0645\u062c\u0645\u0648\u0639\u0629"},"content":{"rendered":"

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FROM ART-LANGUAGE THE JOURNAL OF CONCEPTUAL ART
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About twenty issues of the journal Art-Language The Journal of Conceptual Ar<\/em>t have made it possible to develop a reflection on the very diverse forms that the work of art can take: poster, disc, video, printed text, flag and, of course, painting. The works of the years 1965-1967 materialize in the form of experiments or texts on canvas. During the years 1968-1972, a set of works took the form of annotated texts.
\nArt & Language is a movement created in England in 1968 according to the name of the newspaper. The collaboration between the founding artists, Terry Atkinson, David Bainbridge, Michael Baldwin and Harold Hurell began in 1966 when they were still teachers in England at the University of Coventry. The journal Art-Language – the first issue of which is entitled \u00ab\u00a0The Journal of Conceptual Art\u00a0\u00bb – was published in 1969. Between 1968 and 1982, more than fifty artists took part in the activities of the Art & Language movement, including New Yorkers Joseph Kosuth and Ian Burn. Later, Charles Harrison and Mel Ramsden joined them. Ten years after its creation, the Art & Language movement is undergoing profound changes. Two of its members, Mel Ramsden and Michael Baldwin, are now continuing the project.<\/p>\n

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AN AVANT GARDE MOVEMENT
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Art & Language attaches fundamental importance to \u00ab\u00a0discussion\u00a0\u00bb, a shared conversation. This artistic movement creates both works and practices: debate, exchange, questioning, questioning… The works arise from exchanges between artists, from the desire to include the visitor in a practice and to question the social role of the work of art. Like the surrealist and Dadaist artistic movements, the works are there to provoke the spectator’s imagination.
\nIn phase with the social, economic and technical upheavals of the 1960s, Conceptual Art marks the end of an era and a real turning point in Art History. From the very beginning, Art & Language has been critical of traditional forms of expression that have emerged from art history.\u00a0 Through their unprecedented and diverse production, they participated in the counter-culture movement specific to this period. Art & Language is at odds with the tradition that separates \u00ab\u00a0profane\u00a0\u00bb everyday life from the \u00ab\u00a0sacred\u00a0\u00bb world of museums.<\/p>\n

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WHAT IS CONCEPTUAL\u00a0 ART?
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What is art? When does an object become a work of art? What is the role of the artist and the museum institution in this process?
\nThese are the questions that are at the origin of the Art & Language movement.
\nAnswers are provided through conversations, text works, publications, drawings, installations and paintings.
\nConceptual Art desecrates the role of the artist and questions the conditions under which the work of art is created. It puts language back at the heart of the creative process. The intellectual progress of the project (sketches, studies, thoughts, conversations) does not necessarily lead to the creation of an object.<\/p>\n

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ART & LANGUAGE AND THE RED CRAYOLA
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Since the 1970s, the Art & Language movement has also collaborated with a proto-punk rock group called The Red Crayola, notably for the album Corrected slogan<\/em>. Two other albums are co-written with Art & Language. In September 2007, a new collaboration with Art & Language, Sighs trapped by liars<\/em>, was launched.<\/p>\n

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Since 1995, Art & Language has also collaborated with the Jackson Pollock Bar, a contemporary theatre company that stages Art & Language texts through performances described as \u00ab\u00a0theoretical installations\u00a0\u00bb, where actors perform recorded texts in playback.<\/p>\n

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PERSONAL EXHIBITIONS
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